Jeremy: Good evening and welcome to
Progressively Horrified the podcast

where we hold horror to progressive
standards it never agreed to tonight.

We're talking about the incredible
and incredibly weird Psycho Goreman

I am your host, Jeremy Whitley.

And with me tonight, I have a panel of
cinephiles and Cenobites first they're

here to invade your house and find queer
content in all your favorite movies.

My co-host and comic
book writer, Ben Kahn.

Ben, how are you?

Ben: Finally a movie with a happy ending.

Jeremy: And we picked her up at
the spooky crossroads of anime and

sexy monster media it's co-host
and comics, artist Emily Martin.

How are you Emily?

Emily: Coming directly from the crossroads
especially on sexy monster avenue.

I will say I do like hunky boys
and this Psycho Goreman gets my

entire sexy monster approval.

Jeremy: Nice.

And our special guests tonight uh, comic
book artist and writer, the artist and

writer of Mother Trucker, publisher
at Lethal Comics and pro wrestler,

who I've had the pleasure to work with
in the past hailing from Montreal,

Canada, the incredible Andy Bellenger.

How are you, sir?

Andy: How's it going guys?

What's going on?

Ben: Hey, so glad you
could be here tonight.

Emily: Yeah.

Same

Ben: This movie is my new everything.

This feels like scientists took my brain
out of my skull, psychically dissected

it, and then made a movie specifically
meant to appeal to that brain scan.

And that movie was PG Psycho Goreman.

Andy: Yeah.

That's how I felt too.

I had to get it.

It was hard to get in Canada first.

You could only get it through Apple.

There was no way to sort of like watch
it, cause it came out in the pandemic,

so it wasn't being screened anywhere.

And it was only kind of like had come
out and festivals, I think a little bit,

but it wasn't like when it dropped, it
was only available in Canada, on apple.

And uh, basically the few friends that
I had that had seen it just freaked out

and they're like, there's this movie
that just came out that Andy is gonna

lose his mind for and after it started
coming out, everyone was just like, you

need to make a comic book out of this.

And as a comic creator, you know, of 25
years, that happens a lot, but this one

was like, as soon as I saw this movie,
I was like, exactly how you sell this

is a movie I have to make comics about.

And I have some connections in the sort
of like the Canadian film industry.

And I know a lot of like directors.

I know the guys that did like a Dark Side
of the Ring, the wrestling documentary,

and they did Hobo With a Shotgun and
they had, they knew Steven Kostanski

the director or, you know, had met him.

So through some of these channels, I
actually got in touch with Steven and,

uh, the producer, Peter Kuplowsky and,
uh, I just straight up pitched them.

And I actually had to do a full
pitch deck, like professional

pitch deck to get the gig.

Yeah, I had to beat out a few other
comic places, but the, just the talent

of my, my buddies doing the book, I
knew that the comic creators I could

bring to the project were bigger than
any other publisher, small publisher

in comics, that could I wanted to make
a heavy metal magazine style thing,

but man, that movie just blew my mind.

I've obviously seen it now,
like, you know, 50 times.

Emily: Yeah.

Well, there, are few movies that I've
ever seen- I mean, there's a lot of

movies out there that make a comic
books and movies that almost good

movies from comic books and good movie.

But this movie I haven't seen really any
other movie, quite like this, that is so

perfectly tailor made for a comic book.

Jeremy: The world of it feels so big.

It, it feels like you, you get this like
brief interlude with the Paladins in here

and it's like, oh, there's this whole
other like series of stories around these

guys who have just the most nuts designs
and you only get them just so briefly.

And you have this whole, panel of,
aliens that are, deciding everybody's

fate and you know, nothing about them.

Other than like what's said in this room.

Ben: When the council of aliens
showed up, I had my notes, oh, it's

the council of Power Ranger monsters.

And then there was the fight against the
Paladins where they're getting hit and

sparks are flying out and I'm like, oh
my God, they are Power Ranger monsters!

This is amazing!

Emily: Well, the thing about it is that I
feel like comparing it to Power Rangers is

going a little bit backwards because like
Power Rangers is like the light cereal

version of this four course meal of just
everything ridiculous that you can find.

And it's so delightfully self-indulgent.

The designs in this movie, I mean,
everything is practical effects and

they're all so fantastic and creative
and over the top, like the guy who is, a

washing machine for corpses or something,

Ben: Oh, I love corpse bucket, man.

Emily: Yeah.

And then the, um, the person
is like a walking graveyard.

Ben: My favorite effect in the movie is
when Pandora smears the blood on her face

and it like, it melts away to reveal, like
the human face she's stolen underneath.

Andy: Yeah, she's, she's my favorite.

So the comic we're doing as a heavy
metal magazine style comic, and every

short story revolves around one of
the characters that's on the council

and how they survived Psycho Goreman.

That's the magazine we're making, it's
like 78 pages, something like that.

And it's all by different artists
and creators and yeah, it's all

wrapped around that, but mine is
the biggest at like 13 or 14 pages.

And it's all about Pandora actually.

It's about how Pandora
actually doesn't do anything.

And she has a sidekick guy.

Who's a total, like he's like
this super warrior, but everyone

just treats him like a loser.

And he's the guy that gets everything
done, but no one respects him,

which is very much Steven's humor.

So Steven kind of came up with a
concept, the two of us sort of like

went on the idea for that story.

So I'm actually working directly
with Steven on my Psycho Goreman

project that I'm drawing for.

Ben: That's amazing.

Jeremy: Pretty cool.

Ben: I'm very excited to see the
story of brain of brain in jar, man.

Andy: Oh yeah.

Tubeman!

Tubeman!.

Yeah.

Yeah.

It got my buddy Alex zero to draw
that one, but Steven Kostanski's

basically like the Phil Tippett
of Canada, like the Phil Tippett.

And if you know Phil Tippett he's
the you know, Robocop, uh, Jurassic

Park, Star Wars practical effects guy.

Steven has like a warehouse in
Toronto where him and his crew

actually do like, I know they do
practical effects for like The Boys.

So during this process of making this
comic, he was on The Boys for a long

time, doing all the practical effects
and his own movies, like a Man Borg

and a Psycho Goreman and The Void.

And Bio-Cop I think is like him just
like pure unadulterated, Steven.

Like he comes up with amazing.

We're coming up with like new comic books.

That he's going to write that we're going
to draw from that, or like the ideas for

that stuff is like super wild as well.

Emily: Did he do the- the effects, did
he do the designs for this movie too?

Andy: Oh yeah.

Yeah.

This is all from Steven's brain.

So I love Steven cause I, I really sort
of like, I get along with him amazing.

And when we jam out on stories or
creative stuff, It's like that thing

you would have when you're 13 and you're
hanging out with your friends, reading

Fangoria magazine, wanting to like invent
your own worlds and your own monsters.

And it really feels like, like that.

And that's what it's like talking to him.

He's just totally in love with
designing and making stuff like that.

It's super, super cool.

Emily: It feels like there's
just this pure unadulterated

joy that I feel from this film.

Jeremy: I know in special effects guys get
into writing and directing because like,

even, even when the movie doesn't turn
out to be good, at least like it's wild.

At least there's a lot of like
big ideas and stuff in there.

Yeah.

Andy: Like James Cameron, right?

He was an effects guy.

I'm in love with the dad.

The dad's name is Adam Brooks, the actor.

Ben: And he's so funny.

He's so funny in this movie.

Andy: He's a brilliant
painter and illustrator.

I got him do a comic and the thing,
and we have like curl box, cut out

masks, made it a cardboard that
actually come with your magazine.

And he painted like the face
for that for the Psycho Goreman.

It's like brilliant.

But he has that one scene where I
don't know something about, it just

killed me when he's in the truck.

Right.

And he's like, his wife's always
yelling at him and calling him lazy.

And, uh, he's about to pull away.

And he goes, how's this for lazy Susan?

And I was like, Hey, I remember
having a lazy Susan in my house.

I can't believe, I can't believe they,
they worked lazy Susan into this script.

That's amazing.

I don't know if anyone else...

Ben: I wrote that line in my notes.

I'm like, ha ha.

Yeah,

Andy: I killed me.

So I've had lots of conversations
with Adam about like working on the

movie and, and the guy's like a crazy
comic book machine like that guy

knows everything about comic books

Ben: And that he presumably did all of his
own stunts, including the crazy ball flip.

Right.

Yeah.

I'm pretty sure.

Emily: So I have a question, speaking of
crazy ball, will any of the comics have

a transcript of the rules of crazy ball?

Andy: Oh man, I don't think we have
that, but we should put it in there.

We're still working on it.

I'm like right at the tail
end of making this magazine.

So, I think we should put that in there.

That'd be amazing.

Jeremy: Well, my favorite monster
in this whole thing is Mimi.

Like she's this actress is fantastic.

Like it's so interesting to me that
there's so many movies like this that

are like weird scifi jams in the eighties
that are all like a young teenage or,

between boys that are like going on
some crazy adventure and getting to

have, you know, all this, this weird
stuff happened and that this is like

really centers this young girl who is
just a complete monster, just like the

way she treats the boy that she has a
crush on as you know, gets him first.

It's just like a, just a crazy
bully to him and then gets them

transformed by Psycho Goreman, just
because like, he won't go chuck

basketballs that people with her.

Ben: So many of my notes are
just lines from the movie and

"Give us a spin, hunky boy".

Emily: Yes!

Ben: Killed me.

Like, as incredible as the practical
effects are the most monstrous

thing in this movie is just the
level of Nita-Josée Hanna's talent.

She is crazy.

Insanely good as Mimi.

Emily: Yeah.

Yeah.

I don't know if there's an award
that's for, I don't this is a very

specific style of acting, but even
when I see kids acting, they're

going like way over the top.

I wouldn't be surprised if she
ad-libbed a bunch of this stuff.

Ben: The delivery on even soft lines, like
"I told you, Grandma is in Hell forever",

Emily: Which is technically through
knocking, but it's still a really good,

Andy: There's so many subtle
parts that are like super quick.

And in this movie that
just killed kill me.

Like there's a scene where
there it's during the montage.

I think it's like during the part
where they go to like a, secondhand

clothing store and he's trying
out all the outfits, right.

And he just walks out and some
little girl riding by on her

bike is like, "Nice costume!"

And he just like blows her up.

Jeremy: I could recognize this
if I hadn't just seen Jurassic

Park, but he ends up wearing Alan
Grant's outfit from Jurassic Park,

Ben: Which has wild.

I had to look up, I had to look up
if there was any explanation and

there is, and it's that him and
Alan Grant have the same character

arc towards children in the film.

Andy: Oh my God.

You're right.

I'm going to, I'm going
to ask Steven about that.

I'm going to be talking to Steven later.

I'm going to, I'm going to ask
him about the Alan Grant thing.

That's hilarious.

Emily: Yeah, I have a lot of questions.

Cause I'm wondering if there's, if PG.

If it, if that, PG for short is if
there's some sort of meta commentary

about what's, what is PG in movies
and what, kids can do in movies.

Because I will say out of all the
movies I've seen, this is like one

of the most accurate depictions of
children I've ever witnessed in a movie

like this, just cause they're so like,

Ben: You can't say that you can't
drop an F-bomb in this movie.

But every level of gore is acceptable.

Andy: My daughter has seen
it like five or six times.

She loves it.

Yeah.

Jeremy: Yeah.

And I don't think my wife would be cool
with it, but I think my five-year-old,

if she watched it would love this.

Emily: Yeah.

I mean,

Jeremy: She is Mimi in a lot of ways.

Andy: My daughter totally is
you just, you just saw that

Jeremy: She did just threaten
to punch you in the butt.

If I heard correctly.

Andy: Yeah, she said, I'm going to punch
you in the butt poopoo face something.

Yeah.

Ben: I love Mimi's lines.

I don't trust cops.

Not one bit, but then we get the coolest
cop I've ever seen in a horror movie.

Beardy Mc-um-Ponytail cop.

Emily: I love him.

Andy: Yeah.

So I'm going to give you
guys a a little juicy bit.

If you haven't seen this the
melty cop that it comes with him

that shoots himself in the head.

His name is Bio-Cop and
he has his own movie.

Emily: Okay.

I was wondering now when you said Bio-Cop

Andy: Yeah, he's Bio-Cop.

If you look up, I saw it on Vimeo.

So, uh, like they sent
me Bio-Cop on Vimeo.

So if you look it up on Vimeo,
I think you can check it out..

It's not long.

I think it's maybe 15 minutes or
half an hour or something like that.

It is short, but there's
like a Bio-Cop movie.

So while we were working on
this, there's just everyone.

Like we talk about Bio-Co-
cop all the time and the bio

cop movies, like fantastic.

It's really good.

Ben: The origin story of bio cap.

Andy: Yeah, I guess so.

Yeah.

. Yeah.

That's pretty funny.

Yeah.

Jeremy: I had seen it in Steven's credits.

I, I, I wasn't sure if it was the
same thing, but that's a cool.

I'll have to track that one down.

Andy: Yeah, that's definitely him.

I love that the, I'm not sure the other
guy was, but the actress who played

Pandora plays the mom of the kid that
gets turned into a brain at the end.

There's a scene where
they're just eating dinner.

Oh yeah.

I was wondering about that is actually
the actress that plays Pandora.

Nice.

Ben: My favorite comedy comes from
the interplay between like absurd

and normalcy and Allister being
turned into that brain monster.

And nobody treated him any differently.

Chef's kiss..

Andy: Yeah.

So

Emily: There's a lot of stuff.

Like the witch master is like
speaking Japanese or something and

she's she's subtitled, but Mimi
automatically knows what she's saying.

Like she just follow everything.

Despite how ridiculous
it is, which I think is.

Ben: Oh, the ridiculousness
works for everything.

Like Mimi and Luke in the crazy ball
where every time it cuts back, they've

just suddenly magically regotten
the ball back in their hand again.

Yeah.

Jeremy: I think one of the most
interesting things to me is like Psycho

Goreman himself is so incredibly violent
and there's so much incredible violence

in here, but the death of bothers
me the most is when Pandora, summons

random earthling, to take her place
and just squeezes her into that ball.

And it just turns into a box of blood.

And like, she doesn't even talk to her.

She doesn't like, it's just
this unthinking she, she says

a fascist killing machines.

And I love how quickly they draw that
line of yeah, Psycho Goreman is an

evil villain, but he is also like the
rebel who's risen up against these.

Horrible, fascist assholes
dressed as angels.

Ben: Raise that kill from a nine to a 10
for me was she melts like her down into

the cube and it's still beating like
presu- so presumably there's a heartbeat.

There's something going on.

That woman is still alive as a cube.

It's only for a few seconds, but those are
the most nightmare seconds I can imagine.

You're a cube.

Andy: Yeah.

Everything, everything that has
to do with the sort of like super

space sci-fi scenes, where there's
like the, um, church pyramids in

space, the way he does those worlds.

I just pop for I just freak out for
his sci-fi scenes and he did one of

the shorts, I believe in ABCs of Death.

And, uh, his short and ABC's of Death
has that same sort of look to it.

I don't know how to describe it.

I think a lot of it is made with
miniatures and that's why it has

that really funky look to it.

It's almost like everything is like these
little layers, almost like old animation.

It's got a real wild look to it and
I'm just like obsessed with that.

Like, I, I wanna see
tons more of that stuff.

It was so cool.

All those sci-fi scenes are cool.

Like there's one where he's like
just flying in this like giant ship.

Like it was, oh man, that
guy is Steven is the best.

He's so cool.

I wish this movie didn't
happen during COVID.

Cause I feel like it could've
gotten like even bigger, like

it like seeing it in theaters.

I think this movie could have had.

Some real like underground legs,
if it hadn't come out and COVID

like, really like get out there.

Jeremy: Some day this is like a thing that
people are watching at midnight showings.

Cause it feels like that and it deserves
that kind of following that, people,

people go see it at midnight and fucking
rituals around it and stuff like that.

Cause it's, it's that good
and it's that kind of thing.

And I think I, I was so happy to
hear you guys were doing the comics

around it because so much of the
movie has this like feeling of

like that world is so much bigger.

There's so much other stuff going on.

There's like these, fully formed
ideas that like they touch on

and they're onto the next thing.

Ben: Yeah, I love this movie.

I hope this movie just keeps growing
through word of mouth and getting bigger

and bigger because this instantly joins
the Pantheon of great horror comedies

for me, like, your Shaun of the dead
and what we do in the shadows and Tucker

and Dale versus evil and evil dead toes.

Like this is, this is in that list.

Andy: Definitely.

Definitely.

Absolutely.

Jeremy: I know you got to bail out cause
you got a people going to bed there.

Andy: Yeah, totally.

Yeah!

Jeremy: It was, it was great
to talk to you and we got

Andy: Oh!

Great to talk to you guys too!

I'm so glad you loved the movie.

I think you're going to dig the magazine
when it comes out, it's going to be wild.

And when we're done with this
one, with the council, we're going

to do one on the paladins next.

Ben: That's gonna be cool.

Emily: I'm so I'm very, very curious
about the story of Meat Grinder Man.

Andy: Yeah.

So we did- we haven't done a story
on Meat Grinder Man, but a Bio-Cop

story snuck into the magazine.

And so did a Witch Finder.

One of our creators was like,
so psycho excited and wild about

Witch Finder- or Witch Master
that, Witch Master got in there.

So she has a story.

But the, uh, I'm really excited
to do the rest of them, the

meat grinder guy, especially it
would be really, really cool.

I wanted to, actually, when I was doing
the Kickstarter video, I really wanted

to get a costume of Psycho Goreman to
like act in it, but it got completely

destroyed when Psycho Goreman eats
that the main, uh, dark screen, they

ruined the costume for that scene.

It was the last scene that they did with
the costume and they had to like cut it

all open and make it all crazy to show
the part where he's eating dark stuff.

So they haven't built another costume
cause they're really expensive.

So they're uh, eventually they're
gonna, they're gonna, they're

trying to like raise a little
money to like build another one.

So that would be like super amazing.

There's lots of like masks and
heads of Psycho Gorman, but they

don't have the body anymore.

Emily: Maybe, maybe the
head can make a cameo.

Andy: Yeah.

Yeah, for sure.

Emily: Thank you so much.

I'm really excited.

I mean, I saw this movie last year,
I think maybe I've all the time blurs

together, but immediate was like,
Jeremy was gonna talk about this movie.

Cause it was just so delightful.

Yeah.

And if you're looking for any
more artists, let me know.

Ben: Yeah, I think, I think it's
safe to say that all of us would jump

at the chance to work on, on any of
this, but we just want to thank you

for giving us some great insight
and having a great conversation and

gracing us with your time tonight.

Andy: Oh, thank you guys so much.

I'll talk about Psycho
Goreman till the cows go home.

That's a, it's a, it's one
of my favorite all time.

Favorite movies now.

It's so cool.

And I'm, I I'm so pumped to get,
to, to make comics about it.

I never really want to make comments
about movies, but like this is

this one I just like, had to.

Emily: There's so much fun
stuff to explore in this movie.

Just from the visuals alone.

Andy: Yeah.

Yeah.

I had to, I had to play in
that sand- sandbox big time.

Yep.

Emily: Awesome.

Jeremy: Uh, if people just watch Psycho
Goreman and they really enjoy this what

else would you recommend to go check out?

Andy: If we're going to check some other
stuff out, I would say check out The Void.

Also Steven Kostanski.

It's a really, really dope horror movie.

He has another one
short called a Man Borg.

That's freaking awesome.

And, uh, he's got a shorter
one called Bio-Cop that if you

find that it's a really good.

Also another one that's kind of like
in the same vein is a, if you check

out like Mandy and, uh, Beyond the
Black Rainbow, both Canadian both

directors are really just letting loose
being 100% creative in their field.

There's no sort of like studio
focus group kind of action.

It's like they're making comics
with film because it's straight up

original material and original content.

Everything,

Jeremy: Mandy is a wild one, man.

Then they really went wild and they
let Nicholas Cage go wild, which is

always something I'm in favor of.

Andy: I haven't finished it,
but I just started Pig today.

I was watching his movie where
he's living in the woods and

his truffle pig gets kidnapped.

So

Jeremy: Somebody was telling
me that the it's like Taken,

but with a pig, I was like,

Andy: Yeah, it's totally like Taken,
but he's trying to find his truffle pig.

And it's, uh, it's pretty intense so far.

Uh, I haven't finished it.

I'm about 45 minutes in, but it's
it's pretty good, but Mandy's

like along the same lines.

But I just love that director Beyond
the Black Rainbow was one of my favorite

movies when it came out that year and
Mandy like blew the doors off that.

And then when I saw Psycho Goreman,
I was just like, I'm in love because

most stuff we see is so focused
group or it's like very watered down.

Like a Marvel movie is meant
to appeal to 100% of people.

You know what I mean?

And I don't think good art should
be that, you know what I mean?

I think good art should come
from the artist and the creator

and it goes out there and some
people are going to like it.

Some people aren't, but it's an original
vision and original piece of artwork.

And that's what I love.

The other stuff that's just meant to
appeal to like, absolutely everybody,

it starts to get, like, I, I don't
know about you, but I'm just like

completely bored of superhero movies.

And like, I remember when there was no
superhero movies, like when Batman came

out in 89, we were all freaking out
because Oh My God it's a superhero movie.

Oh my God.

You know?

And then Spider-Man came out.

You're like, oh my gosh, we're getting
to see this stuff on the big screen

and now it's that's all there is,
and it's, very watered down some,

I think they need to take a chance.

And, uh, I, I can't even believe
I'm saying this because I thought

the first Suicide Squad was maybe
the worst film I've ever seen.

But the second one, like the second one
by James Gunn was actually like hilarious.

Like I went into and
I'm going to hate this-

Jeremy: Wild movie.

Andy: I'm going to hate this movie
with every fiber of my being.

And I thought it was hilarious.

I thought it was great.

I couldn't say anything bad about it.

So I think he's taking some chances
and doing some, some wacky stuff.

And I think there just
needs to be more of that.

Like, I mean, I'm sure he has to appeal
to some stuff, but what I like about

Psycho Goreman and Mandy and, and,
Kostanski and these guys is, they, it's

a pure vision of artwork that they love.

Jeremy: Andy, can you let people
know where they can find more

about you and your work online?

Andy: Yeah.

If you go to lethalcomics.com,
that's a, our new publishing company.

And, um, I was one of the founders.

You can find all my new comics, there.

Information about me.

And if you want to go to your
Facebook, Instagram, and Twitter,

I'm at AndyBelanger.com or at
@AndyBelanger on those things.

And, uh, you can find all my stuff.

My Instagram is basically like my
daily life and my publishing life.

Then all my work happens there.

And a lot of the Psycho Goreman stuff
happens @lethalcomics on Instagram,

you can find us there and you can get
all the new stuff about our Psycho

Goreman comics that we're- we're making.

Emily: Awesome.

Ben: Oh my God.

I'm a million percent in.

Emily: Following now.

Andy: I'm a pro wrestler as well.

So if I'm wearing a mask in the
profile, it's because I'm also a

professional wrestler on the fight
network with IWS here in Montreal.

Jeremy: Uh, as far as the, you can find
Emily megamoth on twitter and mega-moth

on instagram and at megamoth.net Ben
is on Twitter BentheKahn and at their

website on bet at benkahncomics.com
where you can pick up all their

latest books, including the brand new
immortals, Fenix rising graphic novel

from great beginnings and the GLAAD award
nominated Renegade rule graphic novel.

Uh, and finally, for me, you can
find me on Twitter and Instagram

at J Rome five eight, and on my
website@jeremywhitley.com, where you

can check out everything I write.

And of course the podcast is on Patreon
at Progressively horrified our website

at progressivelyhorrified.Transistor.fm
and on Twitter ProgHorrorPod uh

where we would love to hear from you.

And speaking of loving to hear from.

you Uh, we would love it.

If you rate and review this podcast,
wherever you listen to it, that's the

best way for us to find new listeners.

Thanks again so much
to Andy for joining us.

It was great to have him be sure that you
all go check out lethal comics and, uh,

check out all the, both the sake of Gorman
stuff they're doing and everything else.

Ben: I will consume absolutely any and
all content related to Psycho Goreman.

Andy: Cool guys.

Thank you so much.

Emily: Of course.

Jeremy: Hopefully, uh, hopefully we'll
be seeing you at conventions again soon.

Ben: Yes!

I cannot wait to read the comic!

Andy: Yeah, I'm, I'm on six.

My, I started Heroes this
year in North Carolina.

I'm doing Dragon and Atlanta.

And then I have a San Francisco,
Texas, and Denver this year.

So far.

Jeremy: I'm probably
gonna be at Heroes so....

Andy: What's going to be in
November at the San Francisco show.

It's a new one.

Emily: Shoot, maybe I'll see you there.

I'm in Sonoma,

Andy: Oh, cool.

Right on.

Yeah, I'm pumped ever
since WonderCon left there.

I've been bummed out because
going to WonderCon was like

my favorite part of the year.

Emily: Yeah.

Same.

Jeremy: Thanks again to
all of you for listening.

Thanks so much to, Ben and
Emily for being here as always.

And until next time stay horrified.

Andy: All right guys.

Have a good one.

See you later.

Bye-bye

Emily: Bye bye!

I was going to make a punch in the butt
joke, but I couldn't think of it in time.